The stop-motion brothers behind Mexico’s first feature take the “dark fantasy” leap anyway, and now Netflix brings it to global screens.

The Shadow of the Colossus creator explains how sci-fi giant robots fit his long-running emotional design philosophy.

At a sold-out Roundhouse listening party, McCartney explains why the song is “theatrical,” and why he’s “proud” of its wife.

UK regulators probe whether Ryanair’s mandatory parent-and-kid seating fees are unfair under consumer law, and Ryanair fires back.

The Shirley Crabtree feature, Who's The Daddy?, is headed to Sheffield DocFest to line up financing and distribution interest.

Palantir’s CEO says Silicon Valley’s AI labs are future-first, customers-first, and even self-aware last.

The Fantastic Four: First Steps helmer joins Paramount+’s A24 legal thriller, shaping a flagship show launch plan.

Mobi Fold targets public-place workers, claiming 72% own mice but only 26% use them outdoors.

Their rules on publishing and band payouts may look old-school, but it is a modern blueprint for reducing resentment.

The stars tie Disney's 2016 breakthrough to the July 10 remake, pointing to cultural advisors and a new generation.

Asahi Linux users are told to pause upgrades because macOS 27 beta stops showing the Asahi partition.

Walmart says store-level data helps robots build pallets so workers can move faster and cut supply chain costs.