The Brazilian-Portugal co-production is taking Angolan novelist José Eduardo Agualusa’s hit to theaters, with Araujo starring.

The 83rd Venice International Film Festival gets Oasis: Don’t Look Back In Anger, with two brothers promising attendance.

Arrowhead gives a calendar date, a trailer tease, and a grimdark clue: Warbond cosmetics and weapons are coming.

A £34m move gets Arsenal an “extremely versatile attacking player” and signals how they are funding and shaping their attack.

Apple TV debuts “The Last Person on Earth,” an eight-episode dating documentary that tests compatibility theory under isolation pressure.

Amazon Luna and Game Studios’ GM walks back earlier ambiguity, narrowing who might build the next chapter of the franchise.

The former PlayStation first-party boss argues double-A is the pressure release for game budgets that keep rising.

Valve’s new Steam Store improvements remove the gift-card middle step, changing how families and friends fund purchases.

Imax credits higher ticket prices to premium film production, with giant theaters turning blockbuster content into steadier financial muscle.

The 125-year-old novel gets a modern Netflix makeover, and period romance just got another serious distribution signal.

Famitsu reveals Shigeru Miyamoto’s real test: whether a new character can work globally without leaning on legacy.

The 29-year-old singer-songwriter says self-analysis freed her on her new Waxahatchee-produced album, after it hurt.