At a sold-out Roundhouse listening party, McCartney explains why the song is “theatrical,” and why he’s “proud” of its wife.

Rohin Shah says mass-market agents that follow other agents could create a new class of cyber risk. Here’s the plan.

Why the Femme Fatale singer is treating pop fame as a megaphone, not a muzzle, and what that signals for culture leaders.

China’s state-backed satellite effort locks in partners and governments Starlink sidelined, just as SpaceX goes public.

In Dublin, the band’s first 2026 European tour opener since 2024 mixes rare deep cuts and a Pogues cover tied to Shane McGowan.

Her Glastonbury Pyramid Stage nerves turned into calm, plus what it says about performance pressure and rollout timing.

AISLE launched Snapshot so AI vulnerability scanning can run inside customer environments without code or security data leaving control.

After “Jaws” made Bond-scale ambitions feel plausible, Spielberg says Cubby Broccoli still shut the door.

The Radiohead-2003 album is reworked live for stage, with a cast led by Samuel Blenkin.

Farrand takes over at the LA-based digital publisher, bringing deep entertainment pedigree to a business built on uplifting virality.

A new “Policy on the AI Exponential” argues for technical audits, release holds, and supply-chain continuity planning.

Harassment and bullying allegations surfaced last year, but Variety interviews paint a “rupture-and-repair” relationship.